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By Marguerite Abouet
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Extra info for Aya de Yopougon, Tome 5
This parallelism enables Ware to stage the ambiguities inherent in his work’s relationship to its own supposed paternity. A psychoanalytic investigation of the way fatherhood is represented throughout the novel reveals the sometimes oppressive pressure superheroes seem to put on the comics medium as a whole. Ultimately, it also allows Ware to explore alternative genealogies, looking beyond the absolute primacy of the father and rendering ambivalent his work’s relationship with the putative influence of the superhero.
22 One episode finds him recording the sounds that surround him as he sits in an urban park. He records first the song of a bird, then the passing of an airplane, and finally the brief conversation of a pair of lovers (94–96). ” By connection, then, the boyfriend of the female speaker, a man she calls “the most wonderful guy I’ve ever met,” might be understood as the third member of this ecstatic sequence. Superheroes, the formulation goes, are those who are loved as well as those whose desire can be returned by another.
Under the aegis of such an approach, the goal would not be to exclude the superhero, but to show what an excessive focus on it has already excluded.
Aya de Yopougon, Tome 5 by Marguerite Abouet